COMING
SOON will be a line of notecards and mugs and tiles.
The
ARCHIVAL PRINTS I make are
vivid and saturated with color, far surpassing any notion you
might get from the website graphics you have been looking at.
Sometimes called FINE ART PRINTS, the most common name in galleries
for this quality of printing is GICLEE.
LITHO prints are made on a commercial printing
press, typically in large numbers. Magazines and posters are
made
this way.
GICLEE prints (pronounced
jhee-clay) are the premium method of printing, a recent development.
Galleries and museums have
fully accepted
and
embraced the new technology which is basically very fine inkjet
printing. Stunning advances in ink formulations and printer technologies
have resulted in fully archival prints that can be made in a small
studio. Archival means the inks and papers have been critically
tested to withstand any color fading for
many years. The combinations I use are warranted to be archival
for
100 years,
effectively making the prints heirloom quality. Although it is
not recommended, these prints will endure direct sunlight for
many years without fading.
PROCESS:
After I finish a painting, it is professionally scanned and digitized.The
file is brought into Photoshop and adjusted for color and quality.
Artist Proofs are made until I am satisfied that the ideal print
is achieved.
PRINT
QUALITY: I
use the Epson 7600 with Ultrachrome Inks. This highly regarded
printer captures a wider range
of colors than litho printing, with
a much finer
dot.
Being the artist as well as the printer, I can acheive a look
that sometimes surpasses the original painting. The amazing
degree of image control offered by my computer/printer combination
is
a dream come true.
PAPER QUALITY: I use a smooth surface matte paper that imparts a velvety finish that I prefer to the shine of photo type papers. This paper is matched to the inkset for longevity and light-fastness.
LIMITED
EDITION PRINTS are
traditionally numbered and signed by the artist.My editions are
limited to 190 prints. When
you purchase
one, you will see two numbers with a slash between them, such as
75/190, at the lower left corner. This means it is print
75 out of a total of 190. Lower numbers are often considered
desireable. It is common to see prices rise as an edition
sells out.
MATTING
and MOUNTING of
the prints is desirable, for protection and presentation. Having
this service done at a frame shop can be
surprisingly expensive.The larger prints are drymounted to foam
core with an acid-free adhesive before matting. Mounting bonds the print flat to the backing,
preventing buckling and ripples. Mat board is cut and adhered to
the foam core board. After signing and numbering, the matted
print
is slipped into a clear sleeve for protection until framing. My
mats are standard sizes, so you will be able to find a frame
at
a wide variety of stores. It will be a personal choice whether
or not to have glass in the frame.
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